Great news! My work will be featuring in a new still life exhibition at the wonderful Gallery57 in Arundel, opening on Saturday. When I was developing the Feast collection one of the things I paid particular attention to was the way in which my forms could contribute to an ad hoc still life tablescape as they were used or shelved, so it'll be fascinating to see it deliberately paired up and displayed in this way.
Gallery57 is genuinely my favourite gallery to follow on Instagram as they always show beautiful interesting work and curate it brilliantly, so I am beyond thrilled to have my pots included in their autumn/winter show. Do go along if you get the chance. Arundel may be a small town but it punches way above its weight for contemporary art with several good galleries so it's well worth a trip! If you can't get there in person you can always check them out on Instagram.
In this second batch of works I have been experimenting further with more graphic treatments and printing, to evoke the scattering of bold box forms in the shape of houses, sheds and shipping containers across the shingle, as well as more complex detailing in he surfaces through found materials, local slips, volcanic and matt glazes.
I'm offering an expanded programme of courses this autumn, with new one-off taster sessions for you to try your hand at clay plus the structured beginners/improvers course and a new improvers/intermediates course I'm very excited about which is more focussed on your creative intentions and uses skills development to achieve those goals.
Full details and booking are online in the courses section. I hope some of you will be interested to find out more and come along to have a go!
Inspired by my time at I have been exploring some new forms.
Building up scuffed and stained and patinated surfaces.
Developing a new palette of glaze colours and finishes that draw on my experience of the ness.
Playing with happenstance impressions of found objects and textures.
Using drop moulding and composite forms to explore the irregular growth of the cottages with all their sheds and lean-tos.
Echoing the boat rails across the shingle in added ribs on which the finished pieces stand.
It's proving really interesting to work in this new way, developing a whole new creative vocabulary and making each piece a step forward into something new. As I write the kiln is firing up with a second load of new pieces and I'm full of eager anticipation to see how they will turn out and where this journey will take me next. Watch this space!
This spring I spent a few days on a kind of art retreat in Dungeness, staying in one of the original cottages at the tip of the ness, and focussing on simply walking, looking, experiencing, seeing what made my whiskers twitch, and then drawing, writing and photographing.
Here's a selection to show you some of the things that have stuck with me most and have been inspiring some new work that I will share with you in the next post.
The scattering of self-built houses and sheds
Trackways across the shingle
Debris equally and equivalently scattered with irregular shapes and fascinating finishes
the everpresent hum of power station looming above it all
There's also an intriguing series of installations by Shopkeepers of the World exploring the idea of the charity shop as the archive of the community. The completed works are on display in a range of shops in Bexhill & St Leonards. Details on p53 of the printed programme, but I haven't managed to find them on the website so we may have to just go for a wander and see what we find!
I was pleased to catch the Imagine episode about Tacita Dean last night.
I was particularly struck by her comments on film as a medium with a process that has a gestation period, allowing time to think. It's easy with ceramics to get frustrated by how long everything takes and the dragging of time between starting and thinking, but I realise now that's another medium with a gestation period. Particularly with my newer more creative work, that reflecting & mulling & pondering what to do next time is turning out to be really valuable. I just needed to adjust my perspective to notice.
She also mentioned finding that she needed not to know the outcome of a project before it finished, to be 'blind' to the results until she had completed the journey. I have a tendency to live either in the future, in planning, and to imagine that I can work projects through entirely in my mind before I start - although I then have no interest in actually doing the work. Perhaps I too need that element of open exploration where the project develops it's own direction of steer as it progresses.
Thanks for the insights Tacita Dean! The programme is worth watching if you're able to.
This week my copy of the mouthwatering 'New art of cooking' by Frankie Unsworth arrived. Hooray!
You may have seen her work on Khoollect, but now she's published her own book and I'm delighted to see some of my work making an appearance.
Right now the watermelon and tomato salad with Sichuan salt and the easy aperitif spread for friends are looking very appealing, but I'm also looking forward to trying the one pan breakfast beans with crispy kale and goats curd once the weather cools down enough for something a bit more hearty.
Well worth checking out if you're looking for culinary inspirations.
Last month we journeyed up to Orkney for a loooong awaited trip. We were only to get away for a week so just scratched the surface of these stunning islands, and were soon saying 'next time...'.
Here's a selection of tourist views plus some of the forms and textures that particularly caught my eye.
My next event is a bit of a new adventure; the Wealden Literary Festival. I was invited to partipate and it sounds like a lovely event so I'm packing my tent and heading to Woodchurch! See you there perhaps?
I have been known to describe glaze chemistry as high temperature magic and nowhere is this more true than with my Evergreen glaze.
All 9 of these tiles were made using the same clay and glazed with the same batch of glaze, dipped in the same way for the same amount of time and fired in the same kiln with the same firing cycle.
As you can see the results are surprisingly different!
It's a crystalline glaze so I expect to see time black and rust coloured crystals in the finished peices, but the amount and location of these sets of crystals vary depending on the thickness of application, the speed of cooling, where the item was in the kiln and what else was nearby. Every now and then a particularly heavy crop of crystals develops entirely hiding the green - for reasons know best to itself. Where the glaze is particularly thin it can yield a matt black, perhaps a thick layer of black crystals, and when even thinner shows up as a clear transparent. The depth of the green colour comes from the copper oxide in the glaze - as does the red where it was positioned close to the gas jet of the kiln and was effectively reduction fired in and oxidised firing cycle. All told it makes for an interesting but rather unruly glaze!
My excitement at the arrival of spring flowers, coinciding with some reading about ikebana and Japanese flower arranging equipment, led to some experimental vessels for small flowers. The best will be coming with me to West Dean at the end of the month.
Every now and then people make special requests for new designs. A recent flurry from friends and family is approaching critical mass and looks line turning into a new kitchenware collection. Here's some early trials for storage jars and pestles & mortars. Fermentation crocks and are also on the agenda. If there's anything your kitchen particularly needs that you think would be a good addition to the collection do let me know.
Some of the pieces feature water-etched detailing which will allow me to introduce some more variation which I do enjoy.
There's lots of work still do to refining each form individually and reviewing how they sit together as a group but it's nice to see an initial peek!
Visitors to Hastings Old Town will now be able to find a selection of my work for sale alongside the amazing midcentury vintage furniture and contemporary pieces offered by OD*E Interiors. They were my number one choice so I'm thrilled to have my work there for the discerning Hastinger to discover!
Images by OD*E Interiors.
Here's my selection from the exhibitors who will be showing at West Dean this year.
The show is fast approaching and will take place over 1-3 June near Chichester. There are 50 exhibitors, demonstrators, events and of course the lovely gardens to enjoy so well worth a visit if you can.
For some reason most of the pictures disappeared on yesterday's post, so here they are again.
Lots of work has now come out of the kiln. The black bowls are for a stockist, I've not made them with this glaze before but they are rather striking. I also made some small changes with the white pieces, giving them a reduction firing that draws out the iron speckles from the clay and gives a cooler tone. Most of these will be coming with me to West Dean at the end of the month if you want to see them 'in the flesh'.
I am please to announce that my work is now available through the online retailer Emma & Louise. They specialise in pieces made by women and have a wonderful collection so do have a gander. You can find my pieces here.