In October I was fortunate to be able to spend 5 days in Yorkshire doing a handbuilding masterclass with Rebecca and James. It was great to be able to spend so much time playing with ideas, developing different surface treatments, making maquettes and thinking about creative processes to formulate ideas from source materials.
I came back with more confidence in my own process and giving it time to gestate, to play with components etc, a surprising new direction to explore and a car full of damp clay which is still waiting to be fired. A passing comment by Rebecca’s about ‘quality control at every stage’ also struck home as we saw them demonstrate the care they take in assembling their own work.
Here’s some pictures of the raw work. More to follow once it’s fired and finished.
This work is quite different again from the experimental Dungeness series I’ve been sharing recently and initially I was quite resistant to it because of the technical fiddliness, but both of them came by and said “ooh that’s interesting” so in the end I decided to listen to the feedback and rise to the challenge. It’s made me ponder the difference between the work we are drawn to as viewers that brings us something we’d perhaps like more of and that which we personally need to make and how to know which is which…